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Posts Tagged ‘Stargate: Atlantis’

Today, the season 3 writers’ room followed up yesterday’s blisteringly creative outburst – in which we broke not one, not two, but two and a half episodes! – by spinning our wheels in frustration, watching an adorable cat video, and having soft serve for lunch.  Ah, well.  There’s always tomorrow.

And the day after when Dark Matter season 2 premieres!  Here are a couple of cast interviews to get you psyched up:

Interviews: Anthony Lemke, Alex Mallari Jr., Shaun Sipos

Interview: Melissa O’Neil

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Awww, how adorable.  FIVE’s firing some sort of energy-based weapon.  At who? And why?  And why is she wearing that red lab coat?  Consider today’s Dark Matter season 2 sneak peek screen shot.

Still a very beatable tie atop the leader board for the chance to win a cast-signed annotated copy of the first episode of our season premiere: “Episode 14: Welcome To Your New Home”!  Time is running out to enter!

Win a Dark Matter script!

I’ll be live-tweeting our season premiere Friday night – with a little help from some friends.  Follow my dedicated Dark Matter account for all the live-tweeting action – @DarkMatter_show – this Friday at 7 p.m. PDT, 10 p.m. EST/PDT.

Then join me July 4th @BaronDestructo for a live after-show Periscope directly following the U.K. premiere (20:00 on Syfy UK!  Then 21:00 on Periscope!).

Off to do another interview.  But, before I go…

A little something from the Stargate archives – for all of you wraith enthusiasts out there.  Designs (as almost always) by James Robbins.

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dismembered hand

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Less than a month to go before the Dark Matter season 2 premiere – yet only a little over a week to go before the writers’ room convenes to start spinning the show’s third season.  Optimistic much?  Well, yes, and you would be too if you saw what was in store for you in the show’s second season.   It’s pretty glorious and the screen shots don’t do it justice but Here’s a little something VFX Supervisor Lawren Bancroft-Wilson and his gang are presently working on…

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And here’s a pic from one of my very favorite scenes of season 2…

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Speaking of favorites – hey, did I mention we’d be seeing Mike Dopud in season 2? Here’s a shot of him having a little sit-down with The Raza’s resident rogue, played by the cast’s resident rogue, Anthony Lemke… IMG_3579

In celebration of the new season, I (in conjunction with SyfyInternational) will be offering fans a chance to win scripts.

Not just scripts, but signed scripts (signed by the entire cast!).

NOT just signed scripts but annotated signed scripts chock full o’ notes from yours truly offering up insights and behind-the-scenes tidbits on the episode from script to finished product.

I’ve been all over reddit, imgur, tumblr, twitter, instagram, youtube, and facebook getting the word out about our season premiere – and also dropping some eye candy from another little franchise I worked on a while back…

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No, not that one!

This one…

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Wraith warrior design by James Robbins.
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Far-future City of Atlantis design by James Robbins for “The Last Man”.

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The sand-flooded corridors of Atlantis.

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Bad Grandpa!  Who is this curmudgeony old coot?

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Build your own ZPM!  Here’s how!

Who’s excited for more scifi?!

 

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Well, what do we have here?  It’s a Stargate: Atlantis reunion on Dark Matter!  Princess Harmony and Rodney McKay, back together again!  This takes me back…

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And this…

Today was our cast read-thru for Episode 207 and, while I can’t confirm that Tabor Calchek will be making a return appearance on the show (There’s a possibility that David just came in to replace the space heaters in the conference room), wouldn’t it be funny if he ended up on the ship and had to go toe to toe with our Android?

Hey, while we’re on the subject of Stargate/Dark Matter, here’s a little something for an upcoming episode…

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What could we possibly have in store in season 2?

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Well, well, well.  Look who it is.  Director Martin Wood (Stargates SG-1 and Atlantis) hits the streets of Toronto – in his trademark shorts.  Yes, if there are two thing I remember about Martin Wood from our days on Stargate, it’s: 1) His penchant for wearing shorts year round, and 2) His onscreen cameo character, Major Wood, always lugged around a giant wrench.

Alas, no giant wrench on Dark Matter (but who knows?  We’ve yet to shoot his episode, #111) but the shorts are still in full effect!

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We had our final (?) notes session with Executive Producer Jay Firestone the other day.  Soon after, we made the necessary changes and released our season finale, episode #113.  As I may have mentioned, I want to approach each season as a instalment in a book series.  And so, #113 offers answers to many of the questions we set up over the course of our initial 13 episode journey and includes one HUGE reveal.  But I made a point of scripting it in a way that keeps the mystery reveal a secret…until our very last day of production.  A LOT of theories swirling around set right now…

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B 1st Assistant Camera Marcel Janisse enjoys lunch in the infirmary’s isolation chamber.

I’m thinking it’s high time for another mailbag.  If you’ve got questions about the show, post away.  I’ll answer later in the week.

I’m also thinking of doing one of those reddit AMA’s.  How do they work?

Finally, here’s another look at the Dark Matter teaser trailer:

Over 47k+ views and counting!  Share!  Share!  Share!

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Well, finally!  It’s official!

http://io9.com/first-details-on-david-hewletts-return-to-syfy-in-dark-1695188609

“David Hewlett is returning to Syfy! This summer Hewlett will reunite with Stargate Atlantis writers Joseph Mallozzi and Paul Mullie on their new show Dark Matter.

Hewlett will have a recurring part as Talbor Calchek. In a slight change for Hewlett, Calchek is a sleazy agent for unsavory mercenaries who will appear in a four-episode arc.”

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Who is Tabor Calchek?  Well…

“Slick, silver-tongued, and more than a little seedy. Tabor Calchek is the team’s handler and the ultimate agent. For the standard 10% commission, he uses his underworld connections as a broker to secure his clients their lucrative assignments. Tabor is sly, manipulative and opportunistic, and can always be counted on to look out for his client’s best interests…right after his own.”

Imagine a cross between Stargate: Atlantis’s Rodney McKay, Entourage’s Ari Gold, and Nic Cage’s Detective Rick Santoro from Snake Eyes, and you’d have a pretty fair approximation of the Tabor character.  His morals are as suspect as his fashion sense, but he is a hoot!  When it came time to cast the role, we reached out to David and made him an offer.  No audition necessary because I knew he would nail it.  And he did, delivering a performance that had us all struggling to stifle our laughter during his takes.  Behind the scene pics to come.  But here’s something to tide you over…

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Little known fact: When he’s not acting, David Hewlett works station security on Shaofu 2!

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Our second BIG guest star announcement:

“Also guest-starring in the show’s first season will be Ruby Rose (Orange is the New Black) as Wendy, described as a “dangerously beautiful android with a full range of pleasure features.”

Well, sure.  That’s one way to describe her, but I prefer…

“Wendy is an entertainment model android designed and built for FUN. The crew discovers her, disassembled in a remote section of the ship and decide to bring her online. Using every bit of her entertainment programming to her advantage, she immediately charms everyone on board – with the exception the ship’s practical work model android who finds Wendy illogical and plain bad company. Resentment brews as the two droids vie for the crew’s attention and affection.”

Ruby landed on our show thanks to the inspired, out-of-the-box casting mind of Dark Matter Executive Producer Jay Firestone – and she was an utter delight to work with.  Smart, sweet, and exceptionally dedicated to her craft, she delivers a one-of-a-kind performance as the multi-faceted Wendy, at turns sunny, sharp, and totally kick-ass.  Oh, and 1000 bonus points to her for being such a compassionate dog rescuer.

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Ruby celebrated her birthday Dark Matter style, with Executive Producer Jay Firestone and the gang playing laser tag.

AND…that’s another wrap!  Episode #108 is in the books and director T.W. Peacocke heads to editing.

Monday, we roll right back into episode #109 with four days of director Ron Murphy’s episode still to shoot.

And then, Dark Matter stunt coordinator John Stead assumes the directing reins on episode #110.

While that goes to camera, it’s another Stargate reunion of sorts as director Martin Wood comes into town to prep episode #111.

And we finish Dark Matter’s first season in fine style, with another Stargate alum as director Andy Mikita drops by to shoot episodes #112 and #113.

I can’t believe we have less than two months to go.  I’ve got to start making plans for my return trip home to Vancouver!

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We’re heavy into prep on episodes #101-102 and, with the commencement of principal photography about a month away, sets are coming together nicely.  Our ship, The Raza, has come a long way in the past couple of weeks.  The corridors have been textured with faux-grate flooring, pipes, vents, and grills, its walls painted in metallic hues, sliding doors installed; the quarters are coming to life, the sub-level cargo hold and walkways finished, and the bridge…the window are in, front AND top, and the consoles went in today.

Meanwhile, work is being completed on the shuttle (the Phantom Class Marauder) interior design.  We’ve gone back and forth on its various elements – width, depth, seating layout, windows, and location of the door – and are in the process of finalizing the look.  I wanted something similar to the puddle jumper in terms of layout with a little more of the depth of the SGU shuttle.  Ultimately, I think we’ll also incorporate an element of the SG-1 cargo ships with its sectioned cockpit and separate hold.

Anyway, I contacted Stargate Production Designer James Robbins, who has been doing some fabulous design work for us on Dark Matter (Can’t wait to show you his work on The Marauder, the space station, and the various cruiser, destroyer, and shuttle class versions of the Ferrous Corp, Mikkei Combine, and Galactic Authority ships!), and asked him about the dimensions of those smaller Stargate ship designs.  He sent me the following which I thought were too cool not to share with you –

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As James points out, the dimensions are from our VFX department and may not reflect what was actually built.  80 feet long for the SGU shuttle seems a bit much, but the 40 foot length of the Atlantis puddle jumper sounds about right.

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Takes you back, no?

Many thanks to James for digging these up from the archive!

Prep continues with non-stop meetings.  Today, it was the concept meeting followed by visual effects, playback, and impromptu hair meeting, stunts, and special effects.  Tomorrow, it’s an Art Department review, props, paints, another hair meeting, and not one but TWO gun meetings!

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Stargate: Atlantis premiered ten years ago today.  I’m celebrating with a look back at my Top 10 favorite SGA memories.

In no particular order…

#10. RODNEY MAKES THE CUT.  BUT JUST BARELY!

mckay_redemptionProduction on the new Stargate spinoff was fast-approaching, but we were scrambling to cast one crucial role: the part of the intrepid, dedicated team doctor. Multiple auditions yielded no suitable candidates and the producers were at a loss until… Robert Cooper suggested a different tact.  Instead of casting a new character, why not bring in an established one – namely, Dr. Rodney McKay who had already put in a couple of appearances on Stargate: SG-1?  To say that this last minute switch “worked out quite nicely” would be an enormous understatement.  Could you imagine Atlantis without him?

#9. ENTER GOLDEN BOY MARTIN GERO

1Faced with the prospect of 40 episodes of television a season, we sought out new talent for the writers’ room.  Enter young Martin Gero who proved himself with his first script, Childhood’s End – and then went on to become the most prolific writer on the show.

#8. ENTER CARL BINDER

dsc09906Later in SGA’s first season, we added one more writer to the room, a veteran of Punky Brewster with a penchant for schnitzel and off-colour humor.  He proved himself with his first script, Before I Sleep – and then went on to become the most prolific writer of ghost-themed episodes on the show.

#7. ENTER RONON

62149The show saw several cast changes over the course of its five year run, but perhaps none quite as significant as the introduction of the rough and ready Satedan, Ronon.  A great onscreen presence, Jason Momoa was also a hell of a lot of fun to work with.

#6. INTRODUCING…TODD THE WRAITH

stargateatlantis-s05e17There’s nothing I enjoy more than an interesting, multi-layered villain and, while the show had them in bunches, none (in my humble opinion) matched the depth and color of Todd the Wraith, a soul-sucking alien with a devilish sense of humor.

#5. GOODBYE, CARSON

1This one rivals the closing moments of SG-1’s Meridian as one of the most touching scenes of the franchise.  Rodney says goodbye to his friend who fades away to close the episode and Carson’s story…for a little while anyway.

#4. WOOLSEY IN CHARGE

p185051_n1357_cc_v4_aaI loved Richard Woolsey’s evolution from pencil-pushing bureaucrat to principled suit, so when Amanda Tapping’s departure opened up the position of Expedition Commander, the first name that came to mind was: Bob Picardo.  I called him up, made him the offer and we closed the deal that afternoon.  One of my favorite characters to write for.

#3. BEHIND THE SCENES FUN

2It’s hard to pick one moment among the countless great ones I enjoyed as a member of the Atlantis writing team.  Amid all the story sessions, script notes, cut screenings and mixes, there was much hilarity.  More often than not, it involved Carl being “tricked” into eating something awful (https://josephmallozzi.wordpress.com/2007/06/08/june-7-2007/).

#2. MY FIRST SAN DIEGO COMIC CON

2Meeting 5000 Stargate fans – simultaneously.

#1. ALL GOOD THINGS….

sg520mainAlthough it wasn’t planned as a series finale, the show’s last episode served nicely as a nice send-off, wrapping up existing storylines yet leaving the door open for further adventures.  The final group shot on the balcony overlooking San Francisco Bay was an emotional one for all.  We’d had five great years – but, dammit, we could have had so many more!

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