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Posts Tagged ‘scifi television’

One of the last things we did before packing it in for the holidays was go on a walk-thru of our standing sets.  Of course, not all of them are quite yet standing (ie. the shuttle, parts of the space station) and those that are still have a ways to go, but our Art Department did a phenomenal job making it presentable for the tour.  The bridge consoles were in, the corridors lit, and there was even some preliminary playback on the screens.  It all looked, in a word, superfantastic.  I snapped a bunch of pics – and have been doing so for weeks now, documenting the ship’s progress.  I’ll hold off on posting them until we’re officially in production  – but there are plenty of other behind-the-scene pics to show you in the meantime…

Alex Mallari Jr. in training with Stunt Coordinator John Stead

(photos c/o Alex Mallari Jr.)

Those of you familiar with the Dark Matter know that the character known as FOUR (aka Ryo Tetsuda, aka Ryo Ishida, aka Slashy McStabberson) isn’t the gunslinging type.  Oh, sure, he packs a sidearm, but his preferred weapon is the katana – sometimes two.  Despite having no formal sword training experience prior to landing the role, under the guidance of our incredible Stunt Coordinator John Stead (more on him in the coming weeks!), actor Alex Mallari Jr. has transformed himself into a twin-blade wielding natural.  Earlier this week, John showed us a video of Alex in training, running through the choreography for the first “training room discovery” scene – a jaw-dropping sequence that perfectly captured the moment as scripted:

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“He stands frozen, eyes fixed straight ahead.  Shuts his eyes.  Beat.  And suddenly launches into action: charging, turning, back-pedalling, leaping, ducking, as the blades whirl and sing around him, slicing through the air.  He makes his way across the room in a remarkable display of swordsmanship, lightning quick reflexes controlling the deadly katanas in a blur of movement…”

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It was unbelievable.

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Check him out on twitter: https://twitter.com/AlexMallariJr

Over the course of series, Alex will use two different “production katanas”.  The first is a super lightweight painted bamboo that, I’ve been told, is all the rage on Hong Kong action movie sets.

LBW testing the bamboo blade.

LBW testing the bamboo blade.

The second is the hero sword, forged of equally light aluminum -

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Here it is c/o of our Props Master, Victoria Klein.

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Our Production Designer, Ian Brock, designed the unique signature symbol that adorns the saya (scabbard) -

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And the blade itself.

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Paul checks the weight.

Anyway, we’re all done for the time being (except for the Art Department, Construction, the cast, and yours truly who will be doing another pass on all the scripts) and look ahead to our January 5th return.  Yesterday, it was one final stroll through the sets and then we locked up for the holidays.  Done and done.

Still, I can’t help but feel like I’ve forgotten something…

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So much for the Christmas spirit.  Today, Akemi did something she rarely ever does.  She actually bought herself something.  The girl hardly ever spends on herself but, this afternoon, she made an exception when she came across a cup emblazoned with the letter A at a local shop.  Being a big tea drinker – and having a name that starts with the letter A – she thought it would be perfect, so she bought it.  About an hour later, she was getting off the subway, when some guy, in an obvious rush, bumped into her, knocking her purchase out of her hand.  The guy didn’t even slow down, jumping into the car and heading off, leaving Akemi to check on her cup – which was, of course, shattered.  Her disappointment was apparently so apparent that a subway employee consoled her with a shoulder pat and some words of encouragement.

Still, in good spirits.  And silly slippers.

Still, in good spirits. And silly slippers.

Well, two more days until we depart for the holidays – which means roughly a week’s worth of ground to cover before we go.  In addition to tomorrow’s early EARLY morning tech survey (which leaves the production offices at 7:00 a.m., meaning I’ll have to leave my place at 6:30 a.m., meaning I’ll probably have to wake up for 5:45 a.m.), I’ve still got to do another pass on scripts for episodes #103, #104, #105, and #106, incorporate Jay’s notes into #107, #108, and #109, and get notes from Paul on #112.  Oh, and then there’s the meetings.  And the camera tests!  Today, Lawren, our VFX Supervisor, showed us some preliminary FTL (fast than light) effects as well as some animatics of the ship – and the missile pursuit.  Very cool.  I’m making a note to keep everything on file so that I can share with you all in time.

Meanwhile, the production offices are embracing the Dark Matter theme…

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I need to place this on my dash, otherwise Vanessa will knock off my side mirror with a baseball bat.

I need to place this on my dash, otherwise Vanessa will knock off my side mirror with a baseball bat.

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Adorning the walls of the cafeteria

Adorning the walls of the cafeteria

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Please note our strict no Facebook, no twitter, no photo policy.

Bon Appetit!  Please note our strict no Facebook, no twitter, no photo policy.

One more day for our Dark Matter Holiday Toy Drive!

And one more day for our Dark Matter Holiday Toy Drive!

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We’re heavy into prep on episodes #101-102 and, with the commencement of principal photography about a month away, sets are coming together nicely.  Our ship, The Raza, has come a long way in the past couple of weeks.  The corridors have been textured with faux-grate flooring, pipes, vents, and grills, its walls painted in metallic hues, sliding doors installed; the quarters are coming to life, the sub-level cargo hold and walkways finished, and the bridge…the window are in, front AND top, and the consoles went in today.

Meanwhile, work is being completed on the shuttle (the Phantom Class Marauder) interior design.  We’ve gone back and forth on its various elements – width, depth, seating layout, windows, and location of the door – and are in the process of finalizing the look.  I wanted something similar to the puddle jumper in terms of layout with a little more of the depth of the SGU shuttle.  Ultimately, I think we’ll also incorporate an element of the SG-1 cargo ships with its sectioned cockpit and separate hold.

Anyway, I contacted Stargate Production Designer James Robbins, who has been doing some fabulous design work for us on Dark Matter (Can’t wait to show you his work on The Marauder, the space station, and the various cruiser, destroyer, and shuttle class versions of the Ferrous Corp, Mikkei Combine, and Galactic Authority ships!), and asked him about the dimensions of those smaller Stargate ship designs.  He sent me the following which I thought were too cool not to share with you -

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As James points out, the dimensions are from our VFX department and may not reflect what was actually built.  80 feet long for the SGU shuttle seems a bit much, but the 40 foot length of the Atlantis puddle jumper sounds about right.

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Takes you back, no?

Many thanks to James for digging these up from the archive!

Prep continues with non-stop meetings.  Today, it was the concept meeting followed by visual effects, playback, and impromptu hair meeting, stunts, and special effects.  Tomorrow, it’s an Art Department review, props, paints, another hair meeting, and not one but TWO gun meetings!

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Prep continues on Dark Matter!  The other day, we had our follow-up gun meeting as we move toward arming our kick-ass crew.  It’s a dangerous galaxy out there!

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The inspiration for the weapon of choice the Ferrous Corp soldiers (corporate guards) will be carrying.  Each corporation (Ferrous Corp, The Mikkei Combine, Traugott, Volkov-Rusi) will have a different color scheme – basic black with color elements and corporate emblems – reflected in their gear and guns.

Suggested changes – in addition to the aforementioned color schemes – including a build on the stalk and chunking out and squaring off the barrel for more heft.

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The inspiration for One and Four’s sidearms.  Something simple for both as One is not a gun enthusiast while Four’s weapon of choice is the katana.  Comes with a detachable light source.

1Alterations include the addition of a side scope.

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The base model for Two’s gun.  I wanted something sleek and easy to handle.

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And refashioning the barrel to a more pronounced snout.  She would sport two, one in each hip holster, for balance.

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The model for Three’s big-ass gun (Bubba).  Pretty damn big!  He’ll lug this one around – in emergency cases – but will otherwise rely on his sidearm (Lulu).

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And the base model for Six’s weapon of choice  = the sawed-off shotgun which will fit snugly in the holster strapped to his back.  All he’ll have to do is reach up over his shoulder for a quick unslinging and he’ll be ready to rock.

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And presenting the man behind the firepower, our resident arms dealer and gun aficionado: Jason Ehl.

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My writing partner, Paul, got in yesterday for what should be a big week.  We’ve got budget meetings tomorrow, script meetings with Jay Tuesday and Wednesday, and a whirlwind trip to the SyFy offices in New York that will see us flying out early Friday morning and flying back later that night.  Today, we sat down with (well, actually, we all stood but you know what I mean) the Art Department, Costumes, and Props.  In the case of the latter, it was all about the guns, guns, guns!  And some swords and miscellaneous weaponry…

A veritable smorgasbord of firepower!

A veritable smorgasbord of firepower!

So we’re looking to use replicas of established guns as the base models for the futuristic sidearms and ordnance our crew – and everyone from Galactic Authority officers to Corporate Guards – will be packing.  Both Three and Six will wield big-ass guns and carry chunky holstered handgun variants (something along the lines of what you see bottom left).  One, Two and Four will go with sleeker shooters.  Holster options range from hip and leg to shoulder and back.

Yo, Slashy McStabberson!

Yo, Slashy McStabberson!

Apparently the longer swords are your go-to blades if you’re looking to decapitate someone – but you already knew that.  Four, our resident swordsman, would be adept with all four sheathed varieties – so we’ll keep all four in his quarters so that he can always have a choice.

And this lovely medieval pruning knife can be yours...if the price is right!

And this lovely medieval pruning knife can be yours…if the price is right!

The ship’s training room will house a variety of weapons, from simple training staffs to more exotic blades.  Here, Property Master Victoria Klein shows off a little something from her personal collection.

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Trevor gets mouthy with Alison.  She responds in kind.

1Our Props Buyer’s (Susan Woorts) shopping list will include: milk, eggs, cheese, and a half dozen fresh Berettas.

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Testing Alison’s reflexes.  Her rubber training sword is no match for my steel!

And you thought today was fun!  I can’t wait for tomorrow’s two hour script note session!

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Two down, one to go.  The Toronto and Vancouver second round casting sessions are in the books and only the L.A. session remains.  Be Vanessa and I won’t be able to attend, we’re going to live stream it to the production offices.  Theoretically anyway.  I imagine it’ll be sort of like those interactive video conferences that look so cool in the movies but never quite work out the way you want them to in real life, with participants dropping out, losing audio, losing video, the whole punctuated by the background caterwaul of children or dogs in desperate need of feeding.  Still, we’re going to give it the ole college try (let’s say more Devry than Harvard).  Festivities get underway at noon PST, which means we’ll be watching well into the twilight hours.  Guess we’ll be ordering pizza!

The plan is to have our selects, Top 3 for each of the seven roles, by early next week.  And that’s when the decision-making will get REALLY tough…

Paul delivered his first draft of episode #10, the first part of our late season two-parter.  He promises to have #11 to us before his weekend arrival – which means I’ll be able to do my pass on #12 (already written) have that out by early next week.  Leaving us with…only the grand (season one) finale to write.  Or, rather, finish since I’m already 15 pages in.

Meanwhile, no rest for our awesome construction crew who have been working their little tool belts off -

Right this way, step right up...

Right this way, step right up…

On our way to the bridge.

On our way to the bridge.

The crew of The Raza = Alison Hepburn and Trevor Finn

The crew of The Raza = Alison Hepburn and Trevor Finn. 

The bridge in its infancy.

The bridge in its infancy.

Corridor going one way.

Corridor going one way.

And the other.

And the other.

Hey!  We’re on instagram!  http://instagram.com/dark_mattertv

And facebook: https://www.facebook.com/darkmatterseries

And twitter:  https://twitter.com/dark_matterTV

Tell your friends!

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After a seemingly endless wait for the show to get green the light, we’re now charging full speed ahead toward our January production dates.  This week, construction began on our standing sets.  First up, our ship, The Raza, which will include the bridge, corridors, an infirmary, mess hall, training room, various corridors and airlocks.  The design work looks pretty awesome, and I fully intend to share the specs and pics with you in the coming days and weeks.  Also, our Set Designer Doug Slater has put together a terrific 3D walk-thru of our soon-to-bridge – which you’ll also get a chance to check out very soon.

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Craig, our Head Carpenter, oversees the action

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And so it begins!

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Our set is raised to allow for stashing of loot and offer hiding places for the director. 

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The layout for this stage

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It’s all happening in the Hello Kitty Pavilion

Meanwhile, our first round of auditions is finally complete and, all told, we’ll have seen A LOT of very talented people.  Still a few redirects to come in (“re-do’s” that incorporate suggested adjustments) and then, by Friday, we’ll finally have our short list.  Well, shortER list.  The sides (scenes) for the second round have been chosen and are ready to go.

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My wardrobe assistants

So last week, I helped myself to some carpets from the recently wrapped Lost Girl set (I had my heart set on a staff of righteousness or a twig of Zamora, but somebody – I suspect Nat Cooper – beat me to ‘em).  This week, I came to work to discover four shirts hanging in my office.  Apparently, Jay and Vanessa picked them out for me.  It was avery nice gesture and, when you think about it, unbelievably kind of them to take the time to go to wardrobe, peruse the selection, and pick out some shirts they thought would suit me.

Last night, had drinks with the Exec Producers of SyFy’s other new production, The Expanse.  Very nice group and their show sounds like it’s going to be awesome.

Lots of terrific SF to look forward to in 2015!

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